Sleep Well, Mr. Romero …

Now that I’ve had a bit of time to reflect on it, I wanted to get some thoughts down on George Romero. How I got into his work, what it’s meant to me & why this hits harder than other Director’s deaths have.

I can’t pinpoint the exact moment I got into Horror, but it was a gradual progression from an interest in Science Fiction. I remember taking out Sci-Fi movie books from the library & watching old gems with my Father on Saturday Night at the Movies (Elwy Yost was the Host with the Most), and like most kids, I was into aliens and the idea of life (or afterlife) that we cannot see, but believe in all the same.

I always wanted to impress / please my Father with great gifts for his October birthday (Halloween Month FTW), but he hasn’t always been the easiest to shop for (that said, I’ve been on a roll the past few years). I knew he liked old black and white movies, and we’d enjoyed watching stuff like Bride of Frankenstein & The Creature from the Black Lagoon together, so you can imagine my excitement when I read about a movie called “Night of the Living Dead”. It was apparently a Classic (we always had a Leonard Maltin Movie Guide in the house), it was Old & it was Black and White, how could it fail ??

I bought him a double VHS release, which included a second tape of “Special Features” (what a time to be alive). It even had a fold out cover with an essay on the film itself. Surely I had knocked it out of the park with this gift ! I can imagine what was going through his head when he opened up that gift, seeing my face beaming and excitedly waiting to watch it with him. I remember showing the tape of Features to my friends, and we all enjoyed the original trailer, with it’s over the top narration and classic use of musical cue …

Having been internally convinced that I’d gotten the perfect gift, you can imagine my delight when Mr. Maltin let me know that there was not only one, but TWO sequels to NOTLD ! I immediately hatched a plan to get him the second film for his next birthday, then to complete the trilogy on the birthday after that. Once again, I tracked down a double VHS (with fold out cover) at Music World (RIP), and I was EXTRA excited to give him his gift that year.

Watching him open that gift, I couldn’t help but sense (even at a young age) that he wasn’t nearly as thrilled to receive it as I was to give it. But how ? Surely he had loved the previous film, it was old and in black & white ! Still, I was excited to watch this new film with him, and I bided my time as it sat unopened on or VHS shelf, week after week. Eventually I broke down and became determined to watch the film, with or without him. Even though he hadn’t cracked open the plastic yet, I was determined to find a way …

When I was growing up, we ran a year round campground / resort in cottage country. The year I gave him DOTD, I was probably around 12 or so. My parents very rarely got to go out for non-family dinners, and since I was finally old enough to look after the place (after close) for a few hours, they left me alone on a cold January night, with my dog … and an unguarded VHS copy of Dawn of the Dead ! After I was sure they were gone, I snaked the movie off the shelf (where it had lived for months) and I got a knife and went to work, slooooowly cutting enough of the plastic that would allow for me to slip the main tape out of the box.

I knew what I was doing was wrong, but I’d given him WEEKS to open / watch it with me, and my little heart just couldn’t wait any longer. I popped the tape in and let the movie wash over me. That is, until about halfway through, when I heard the unmistakable “crunch, crunch” sound of two people walking through the snow, in our backyard, in the middle of nowhere, with no family members anywhere nearby, and me alone, watching a scary movie, with no curtains drawn on the back window. I sat there, paralyzed, unsure what to do first. They KNEW someone was home, as I hadn’t closed the curtains. But we lived in the middle of nowhere, in the dead (cough) of winter. Who COULD it be ??

I slowly reached for the remote and shut the movie off, then I heard a slow knock on the sliding glass door on our back deck. Still terrified, I walked over to the back room and turned on the porch light. Standing on our deck were two HUGE men, dressed in large winter jackets and staring at me. I knew they wouldn’t just go away, but I had no weapon, apart from a part Lab / part Border Collie named Bart. I reluctantly walked towards the door, unlocked it and slid it open a few inches. It turned out to be two russian men who had walked across the lake, seen our lights, then come to see if we had any liqour for them, to “warm them up”.

Thinking quickly (and having seen many PSA’s, thanks Bert and Gert !), I told them my Father was in the shower, but that I would go and check with him. My dog was growling the entire time, which was honestly my only consolation for the intense fear of the situation. I closed the door, went to the kitchen and considered my options. I ended up waiting a few minutes, then going back and telling them that my Father doesn’t drink … but that I was pretty sure that the (rival) resort down the road had plenty of alcohol (I’m not proud, but it worked). I closed and locked the door, shut off the light and waited. They didn’t move for a minute, but gradually the “crunch, crunch” of them walking away put me at ease, and 10 minutes later, I resumed the film.

In watching that film, I soon came to realize that my Father had NEVER been a fan of Horror, and most likely never knew how to let me down easy. I had been able to slip the tape back into it’s case, and “skillfully” add some scotch tape to the cut area (genius), and shockingly, it NEVER came up. Almost as if he never touched that movie again after setting it up on it’s shelf, where it beckoned to me all those months. This revelation lead to me purchasing the third film, Day of the Dead, but not for my Father this time … but for myself.

It pleases me that my love of the Father of Zombies will always be linked to my own Father, even if he was never a fan of the man’s films himself. He always respected my love of Horror, even if it’s not a genre he could ever love himself. As I grew older and discovered other Romero gems like Martin, Creepshow & The Crazies, I grew to appreciate what an indelible mark he had left on the genre. Not dissimilar to the way my Father had helped shape me into the man that now types these very words.

In the years that have passed since that fateful NOTLD gift, I have seen literally countless Horror films, but my absolute favourite is (and always will be) Creepshow. As a huge fan of 50’s Horror Comics, Romero (and King) absolutely nailed the tone, and I love everything about that film. I’m pleased to have seen it on the big screen, though dismayed to say I passed on a chance to see it again on the big screen this year, with Romero in attendance. That said, I did see Night of the Living Dead on the big screen for the first time this year, and it was a surreal mix of emotions, almost equal to those I’m experiencing now.

It’s been said of Romero that he was unbelievably kind and humble, grateful to have touched so many souls with an oeuvre that is the envy of the average filmmaker. He shaped a genre that still thrills us today, with ideas and films that will live forever, even if the man himself could not. I’m sad I never got to meet him, but through a love for his films and his spirit, and through the eyes of so many others, I feel like I knew him very well.

The outpouring of grief and kind words seen in the past 24 hours is truly inspiring, and speaks well to the imprint left by this man. George was larger than life, larger than the afterlife even. As a fan of the Remakes of NOTLD, DOTD and The Crazies, it’s astounding to me that even re-imaginings of his work can work on different levels, another testament to his genius. While he never got all that was coming to him, financially AND credit wise, his legend will only grow from here on out, and I look forward to remembering the man and his work.

To George A Romero, the creator of the best birthday presents a boy could want …

Lazron’s October Horrorthon 2013

Well, it’s that time of year again. The time where I’m not the only person lovingly busting through as many horror flicks as possible. I’d argue that Halloween is my favourite holiday, though I’m also partial to Christmas. That said, my Christmas Horrorthon is never as good as my October Horrorthon, so Halloween might have the edge here.

I’ve been doing this for a few years now, much to the occasional chagrin of relationships past and present. As with most things, there’s been ups and downs. Lack of sleep, regrettable film choices, amazingly obscure soundtracks, it’s all been part of the fun in this horrific October learning curve.

This year will be a little different than years past. For one thing I’ve decided to pick 31 films I hadn’t seen before. Traditionally I’d watched the classic “Trick r’ Treat” on Halloween and “Halloween II” on the 30th. As much as I love those films, and I may still sneak them in, I felt there was already a glut of cinematic atrocities that remained to be seen, thus the painful decision to carry on without those two mainstays.

The other difference between this year and years past will be my inability to watch one film per night. I’ll still be watching (at least) 31 films over the month, but I’ll be out of town 3 days for a wedding, which is apparently more important than terror films. Hopefully I can sneak on the wedding-themed “Rec 3”, but it’s probably best not to ruin everybody’s joyous occasion. Not deliberately anyway.

Those caveats aside, I’m genuinely stoked to be starting another epic list of horror gems. In years past I’ve discovered some truly enjoyable flicks, including Nightmare City, Some Guy Who Kills People & The Dead. Of course, there’s also been stuff like The Burrowers & Rob Zombie’s Halloween 2, so it could go either way.

Another thing I’ve tried with this years list is including youtube links to full movies whenever possible. This will theoretically allow you to watch along with me ! Though you and I both know that’s not going to happen. Still, a surprising amount of them have been uploaded, thumbs up for modern technology.

Anyway, without further adieu, I present you with the latest installment of …

Lazron’s October Horrorthon 2013

1) Night of the Demons (1988)

night-of-the-demons-movie-poster-1989-1020204365“A group of teens decides to have a Halloween party up at the deserted funeral parlor. They accidentally awaken a demon while having a seance. The demon enters the body of one of the women, and soon the teens begin experiencing an attrition problem.”

At one time I actually owned this movie, though I never ended up watching it. I think it was on one of HMV’s 5-8$ Super Sales and seemed too good to pass up. That is, until I ended up selling it before viewing it. That said, it’s got a solid fanbase, multiple sequels and has since been remade. Seems like as good a film as any to kick of the holidays !

2) Curse of Chucky (2013)

Curse-of-Chucky-poster-art“After her mother’s mysterious death, Nica begins to suspect that the talking, red-haired doll her visiting niece has been playing with may be the key to recent bloodshed and chaos.”

I’m not really much of a Child’s Play fan, though I did enjoy Bride and Seed of Chucky. I’ve always found the originals to be fairly boring and unworthy of returning to. It’s rare for a film series, especially horror, to hit its’ stride on the fourth entry, but that’s precisely what many would agree happened in this case. This sixth film (all have been written by creator Don Mancini) is a direct to video affair, though it’s gotten good early reviews and is said to tie the series together nicely. Colour me intrigued.

3) Dr Phibes Rises Again (1972)

014“The vengeful Doctor rises again, seeking the Scrolls of Life in an attempt to resurrect his deceased wife.”

I’m a big fan of Vincent Price and would have to place the original Dr. Phibes film in my top 5 of his work. That film had a perfect ending, one which didn’t seem to leave room for a sequel (much like “The Descent”). I vaguely recall watching this follow up film when I was younger, though I dismissed it as a less than stellar rehash of the original. That said, my love for the original and distance between viewings has lead me to give it another chance. There was actually a third film planned (a script was eventually leaked online) but alas, it was not to be.

4) Body Melt (1993)

body_melt_1993“Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new ‘Body Drug’ that causes rapid body decomposition (melting skin etc.) and painful death.”

I’ve had a copy of this one for awhile but I’d always heard mixed reviews. I’m kind of a sucker for low budget melting movies though (Street Trash, Slime City, The Stuff), so I think it’s finally time to see whether or not this fits in the pantheon of Melted Masterpieces.

5) Nomads (1986)

NoMads“A French anthropologist moves to Los Angeles and is followed by the evil spirits of an extinct tribe he once uncovered.”

It’s hard not to enjoy seeing Pierce Brosnan in strange, pre-Bond forays (The Lawnmower Man, Mrs. Doubtfire. Nomads). Even in post-Bond efforts his appearance tends to bring a smile to my face. Brosnan made “Nomads” in between seasons of “Remington Steele”, and it actually has a fairly solid fanbase behind it. It doesn’t hurt that it was writer/director John McTiernan’s first film (over the next two years he’d make Predator and Die Hard). I’m most excited to see Pierce playing a french archeologist though. Spot on casting !

6) Slime City Massacre (2010)

SLIMECITYSMALLSIZEPOSTER“In the wake of a “dirty bomb” attack, a New York City neighborhood known as “Slime City” has been evacuated, except for the homeless (“displaced refugees”). Four squatters searching for food in the ruins of the Zachary Devon Soup Kitchen discover a supply of Zachary Devon’s Home Brewed Elixir and Himalayan Yogurt. When they drink the elixir and eat the yogurt, they are transformed into hideous slime creatures driven to murder – an intermediate step as they are possessed by the spirits of Zachary Devon and the members of his Coven of Flesh, who committed suicide years earlier. When a greedy developer sets his sites on Slime City, he hires a team of mercenaries to wipe out the homeless population. It’s a battle royale between the Slime Heads, the mercenaries, and bloodthirsty mutant cannibals!”

I tried to make a double bill of both Slime City films at one point, but I never got around to watching this one. Waiting 22 years between sequels is certainly uncommon, though “Godfather of Gore” Herschell Gordon Lewis waited 39 years between Blood Feast 1 & 2, so maybe 22 isn’t so bad. I guess we’ll find out what 22 years of fundraising buys you.

7) Terror Train (1980)

terror-train-poster“A masked killer targets six college kids responsible for a prank gone wrong years earlier and whom are currently throwing a large New Year’s Eve costume party aboard a moving train.”

This was Jamie Lee Curtis’ fourth film, following the triple threat of Halloween, The Fog and Prom Night (which have all been remade, terribly). I remember the Scream channel playing this one regularly, though I never got around to actually seeing it. I’ve heard nothing but good things about it though, so my hopes are pretty high.

8) The Bird with Crystal Plumage (1970)

argento-ucello-poster“A writer is stalked by a serial killer after witnessing a murder attempt on one woman’s life.”

I must confess, I’ve never been a huge fan of Dario Argento. I was always more of a Lucio Fulci fan, which is borderline sacrilege. I don’t deny that Argento is the more accomplished filmmaker, I just always preferred Fulci’s over the top gore to Argento’s subtle mastery. That said, I’ve set out to rectify my lack of Argento viewings by loading up on his films in this years Horrorthon. With 3 titles on the list, it’s up to his work to speak for itself.

9) No One Lives (2012)

no-one-lives-movie-wallpaper-26“A gang of ruthless highway killers kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem.”

I’ve heard pretty good things about this one, though I didn’t get around to seeing it in it’s brief theatrical run. Director Ryuhei Kitamura has made some incredibly enjoyable films, including Azumi, Godzilla – Final Wars, Versus, Sky High and Midnight Meat Train. None of those films are perfect (with the possible exception of Azumi), but he has an incredibly kinetic visual style that often makes up for any shortcomings in his stories.

10) Stagefright (1987)

stage-fright-deliria“A troupe of struggling stage actors is rehearsing for a small-town production of a play. Everything seems to be as it should until one of the cast members turns up dead. In a panic, the others try to get out, only to find they are now locked in the theater with the killer! Which one of them committed the murder, and who will get out alive?”

This is said to be something of a lost gem of the 80’s slasher set. It was produced by Joe D’Amato, a director best known for quickly made and cheaply produced grindhouse films. He did direct the infamous Anthropophagus and Beyond the Darkness (also featured on this list), so maybe his influence paid off in the end.

11) The Night Flier (1997)

night_flier_poster_01“A reporter is on the trail of a vampiric murderer who travels by plane.”

This is one of the least discussed and highly regarded Stephen King adaptations ever put to film. I’d never even heard of it for years, but it’s legend has slowly grown over time. I’m a big fan of The Mist and The Shawshank Redemption, but as long as this is better than Under the Dome and Sleepwalkers I’ll be just fine.

12) Beyond the Darkness (1979)

beyondthedarknessposter“A young rich orphan loses his fiancée to voodoo doll mischief on the part of his housekeeper who is jealous of his attentions. He digs his girlfriend up, cleans her out, stuffs her, and puts her in bed at the mansion. Following this, he tries out and disposes of a series of young maidens, trying to find the right replacement for her, and the disapproving housekeeper helps him with the disposals.”

As previously mentioned, this is one of the few Joe D’Amato films that has actually received critical acclaim over the years. Much like Anthropophangus, much of the film’s notoriety lies in it’s extreme violence. In fact, its remained banned in Australia for the past 21 years due to its content. Challenge accepted.

13) Cannibal Apocalypse (1980)

Cannibal_Apocalypse-1980-Poster“Giovanni Lambardo Radice and John Saxon are Vietman vets that bring back contagious virus that turn people into cannibals when bitten.”

I actually did have this on several weeks ago, but I tuned out the minute I heard the opening theme. It was so incredibly funky that I knew I needed to make a beat out of it. I spent the rest of the film creating the best beat I’ve ever made, at the cost of following the plot itself. All in all, it was totally worth it, but I would like to give it another go.

14) Dust Devil (1992)

dust-devil-movie-poster-1992-1020470855“A woman on the run from her abusive husband encounters a mysterious hitch-hiker.”

This is another film I’ve heard nothing but good things about. The original version of the film ran 120 minutes, which was later trimmed to 110. After that, a 95 minute version was tested, later trimmed to 87 minutes (much to the chagrin of the writer/director). Since then a 105 minute “Final Cut” and 114 minute “Director’s Cut” have surfaced, all making it extremely difficult to decide which version to choose.

15) The Beast Within (1982)

240984-1020-a“In the beginning of the movie you see a woman getting raped by a man-creature of some sort. The movie takes place years later when the child that was a result of that rape is on the rampage looking for a girl to rape to start the process all over again.”

Another favourite of the Scream channel, this film will be receiving a long overdue blu ray release by cult label Scream Factory (no relation to the channel). I’ve never been a huge werewolf fan, but if the transformation scenes are anything like An American Werewolf in London, this may well be worth the wait.

16) All the Boys Love Mandy Lane (2006/2013)

all-the-boys-love-mandy-lane-2006-poster-2“A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.”

Speaking of films being worth the wait, this was originally scheduled for release in 2006 ! It’s just now receiving a theatrical release (despite leaking online years ago). I’ve heard conflicting reviews on its quality, but my expectations are low enough that I may well enjoy myself.

17) REC 2 (2009)

rec2-QUADv4-final_RGB_LORES“The action continues from [Rec], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.”

I’m a huge fan of the original REC (possibly the best found footage horror to date) and have been trying to watch this well reviewed follow up for years now. I think both REC 2 and 3 were on last years’ Horrorthon list, but for whatever reason (likely subtitle reading laziness) they were bumped. I feel it’s finally time to get through these, just in time for next years’ REC 4 !

18) REC 3 (2012)

rec3“A couple’s wedding day turns horrific as some of the guests start showing signs of a strange illness.”

It’s borderline ironic that I’ve not seen this third REC film yet, as I’ll be getting married in June and will now know what to look out for if our guests start murdering each other. In their defense though, it’s more likely to be dessert bar related than demonic possession. Still, can’t be too careful these days …

19) Opera (1987)

Opera“A young opperata is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.”

Our second Argento film is the highly regarded Opera, sometimes known as “Terror at the Opera” (probably to keep from confusing Opera fans who inadvertently rented the wrong tape). I’m a big fan of the iconic cover image and hope the ensuing film lives up to it.

20) Wicked Little Things (2006)

POSTER - WICKED LITTLE THINGS (2)“Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there’s a problem. They’re still alive.”

The premise of this one always intrigued me, a sort of Night of the Living Dead meets Children of the Corn I suppose. One of the overseas titles for it was simply “Zombies”, so at this point I’m really not sure what to expect.

21) The Kindred (1987)

kindred_poster_01“Amanda’s deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mothers biggest fan. Together with some of John’s friends they go to Amanda’s house, but none are prepared for what they find there.”

From what I can tell, this seems to be a film that relies mostly on creature effects to sell its story. The first film that comes to my mind in that category is the 1982 alien classic “Xtro” (released 4 days after I was born !). If this one comes anywhere close to that level of enjoyment, I’ll be pleased as punch.

22) Midnight (1982)

Midnight“A teenage girl runs away from home because police officer/stepfather puts the moves on her. Hitchhiking to California, she’s picked up by two guys who are also traveling cross-country. Along the way, they decide to camp out in the woods and run across a family of Satanists who keep their dead mother in the attic.”

This one is a bit of an odd duck. From what I can tell, the story has nothing to do with zombies, however, that poster would have you believe otherwise. This likely stems from the fact that its’ writer/director was the co-writer of Night of the Living Dead. Seeking to cash in on any remaining brand recognition seems to have brought on some very misleading marketing tactics. Still, it’s kind of a cool poster.

23) Come Out and Play (2012)

come-out-and-play-hires“A couple take a vacation to a remote island – their last holiday together before they become parents. Soon after their arrival, they notice that no adults seem to be present – an observation that quickly presents a nightmarish reality.”

This one is a remake of the lesser known spanish film “Who Can Kill a Child?”. While its long been known that no american studio would attempt a remake, this mexican made effort was willing to give it a try. From what I’ve heard, it’s essentially a shot for shot remake that pales in comparison to the original. Still, the subject matter is intriguing enough to give it a shot.

24) The Child (1977)

child_1977_poster_01“A newly-hired housekeeper in a remote area is alarmed to discover that her boss’s eleven-year-old daughter is using her supernatural powers to take revenge on the people she holds responsible for her mother’s death, with the aid of her flesh-eating zombie ‘friends’…”

I always think it’s wild when I find out a film like this was made the same year as Star Wars. I mean, the subject matter couldn’t be any different if they tried ! I’ve heard that this is quite an odd film, even more than the synopsis would have you believe. I’m kind of a sucker for lesser known zombie flicks though, so this one got the late add on.

25) The Boneyard (1991)

the_boneyard_german_custom-cdcovers“Children turned into zombies wreak havoc in a coroner’s building with just a burned-out psychic, an experienced cop and two coroners to stop the madness.”

I’m not sure what to think of this one. Apparently it starts strong but has a ridiculous second half, featuring an appearance by Phyllis Diller ! Still, it’s apparently saved by some excellent makeup effects that make the experience much more palatable. Here’s hoping.

26) The Bay (2012)

OR_The Bay 2012 movie Wallpaper 1280x1024“Chaos breaks out in a small Maryland town after an ecological disaster occurs.”

I was definitely thrown off when I heard that the academy award winning director of The Natural, Good Morning Vietnam and Rain Man would be making a found footage horror film. I mean, I guess it’s all the rage now, but it still seemed odd. Reviews were mixed, but the story is an interesting one, and not entirely unrealistic subject matter.

27) The Keep (1983)

aaaaaaa“Nazis are forced to turn to a Jewish historian for help in battling the ancient demon they have inadvertently freed from its prison.”

Speaking of well known directors, I’ve been meaning to watch Michael Mann’s sophmore effort for years now. Another casualty of last years’ list, this year I’m determined to get through it. As cool as the story is, I’ve learned to temper my expectations after years of mixed reviews.

28) The Orphanage (2007)

the-orphanage-poster-800“A woman brings her family back to her childhood home, which used to be an orphanage for handicapped children. Before long, her son starts to communicate with an invisible new friend.”

On the opposite end of the spectrum, this film has received nearly universal acclaim. Produced by Guillermo Del Toro, I’ve had this recommended to me countless times over the years. I’ve tried not to get my hopes up, but it has to at least be better than “Orphan”.

29) We Are What We Are (2010)

“When the patriarch of the family passes away, the teenage children must take responsibility for the family chores: the preparation of the rituals, the hunting and putting the all-important meat on the table. These newfound responsibilities are even more daunting, however, when you live in the city and happen to be a family of cannibals.”

This was recently remade, though I felt it best to watch the original before the american version is released. Supposedly they’re quite different takes on the material, but I still would have been upset had I seen Quarantine before REC.

30) The Innkeepers (2011)

ExclInnkeepersBig“During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel’s haunted past begin to experience disturbing events as old guests check in for a stay.”

I’m not really a huge Ti West fan, though he gets a lot of respect for his throwback-style of filmmaking. I tried to love The House of the Devil, but it was a bit too slow moving for my tastes. Here’s hoping West wins me over with this one.

31) Tenebrae (1982)

tenebre_poster_01“An American writer in Rome is stalked by a serial killer bent on harassing him while killing all people associated with his work on his latest book.”

Our third (and final) Argento film is the classic Tenebrae. It was a bit tough to pick and choose which of his films to watch, though I’d already seen Inferno, Suspiria and Deep Red (my personal favourite). I’m not a huge Giallo fan, but I do love a good mystery. Fingers crossed for this one.

002And there you have it ! Another dreadfully delightful list of 31 terror-riffic treats to fill my head with visions of rotting sugarplums and severed limbs and the like. I’ll do my best to update my reviews daily throughout October, but it’s gonna be a bit of an odd Horrorthon this year, just the way I like it !

Till’ next time, smoke em’ if you gut em’ !

– e